Recherche en cours
Veuillez patienter
 |
Livre
IBNLFASSI, Laïla & HITCHCOTT, Nicki. (Eds.).African francophone writing
Articles :
IBNLFASSI, Laïla, & HITCHCOTT, Nicki (Eds), African francophone writing, Oxford,, Berg,, 1996, p 69-81 "Don't look back": Albert Memmi's "La Statue de sel"HAND, Seàn France-Mail-Forum, IBNLFASSI, Laïla, & HITCHCOTT, Nicki (Eds), African francophone writing, Oxford,, Berg,, 1996, p 93-101 Writers of Maghrebian Immigrant Origin in France: French, Francophone, Maghrebian or Beur?HARGREAVES, Alec G IBNLFASSI, Laïla, & HITCHCOTT, Nicki (Eds), African francophone writing, Oxford,, Berg,, 1996, p 33-43 Chraïbi's "Le Passé simple" and a Theory of DoublesIBNLFASSI, Laïla IBNLFASSI, Laïla, & HITCHCOTT, Nicki (Eds), African francophone writing, Oxford,, Berg,, 1996, p 59-67 IntroductionIBNLFASSI, Laïla, HITCHCOTT, Nicki, IBNLFASSI, Laïla, & HITCHCOTT, Nicki (Eds), African francophone writing, Oxford,, Berg,, 1996, p 1-10 The institutionnal Framework of "La Francophonie"JUDGE, Anne France-Mail-Forum, IBNLFASSI, Laïla, & HITCHCOTT, Nicki (Eds), African francophone writing, Oxford,, Berg,, 1996, p 11-30 To be a poet in MoroccoKAYE, Jacqueline IBNLFASSI, Laïla, & HITCHCOTT, Nicki (Eds), African francophone writing, Oxford,, Berg,, 1996, p 103-121 Points of view: Looking at the Other in Michel Tournier's "La Goutte d'or" and Rachid Boudjedra's "Topographie idéale pour une agression caractérisée"OWEN, Carys France-Mail-Forum, IBNLFASSI, Laïla, & HITCHCOTT, Nicki (Eds), African francophone writing, Oxford,, Berg,, 1996, p 45-58 Commuting the "sentences" of Malek HaddadPOOLE, Sara IBNLFASSI, Laïla, & HITCHCOTT, Nicki (Eds), African francophone writing, Oxford,, Berg,, 1996, p 83-91 |